Cat Stevens

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Cat Stevens - Greatest Hits

Before Cat Stevens changed his name to Yusef Islam, he had a slew of hits built around his soft, yet sometimes coarse, vocals. Stevens utilized a variety of instrumentation and rhythms in his predominantly acoustic arrangements, and songs like "Peace Train," and "Another Saturday Night" had a multi-cultural feel to them. Greatest Hits provides a decent overview of his more popular work, including the poignant "Oh Very Young" and "Father & Son." Unfortunately, the delightful yet brief "Tea for the Tillerman" is not present. The lovely "Morning Has Broken" has elements of Stevens's growing concern with religion, philosophy, and the relationship between the cerebral and the spiritual. In the early 1980s, Stevens, now Yusef, "retired" from the music profession because of his new beliefs. --Steve Gdula

Tea for the Tillerman

Cat Stevens tends to be lumped in with the early-'70s singer-songwriter school led by James Taylor and Carole King, but he actually fits in rather neatly with such wistful English contemporaries as Nick Drake, Syd Barrett, and Donovan. Tea for the Tillerman's "Wild World," "Into White," and "Longer Boats" indicate that he may have been a more gifted tunesmith than the lot of them. As with the best of the Brit folk-rockers, Stevens mixed melancholy with whimsy. Yes, he was prone to airy platitudes, but when he harnessed his eccentricities, as he did throughout this 1970 masterwork, you had something truly distinctive. A natural cult artist, à la Tim Buckley and Leonard Cohen, Stevens connected with record-buyers to the tune of 25 million units sold before he changed his name to Yusuf Islam, established an Islamic school, and raised a ruckus by supporting Ayatollah Khomeini's death decree against author Salman Rushdie. This remastered 2000 version of the 1970 recording, which was overseen by the artist, is a vast improvement over the earlier CD reissue. --Steve Stolder


The Very Best of Cat Stevens

Kicking off A&M's ambitious Cat Stevens reissue program is this 20-song introduction. The set surveys all of Stevens's stages, from the orchestrated late-1960s sides through his early-'70s peak to his more eclectic late-1970s experiments. Following the progression makes for an interesting endeavor as Stevens learns to harness his ambitious ideas with arrangements that don't obscure his rhapsodic messages. Few artists of his generation were more gifted when it came to plucking timeless melodies out of thin air, and his sumptuous voice was always able to movingly convey his bittersweet lyrics. As a career overview (including one previously unreleased cut) this set achieves its goal, hitting all of the chart successes along the way and basically defining his role as a sensitive '70s singer-songwriter, but some fans may opt for the classic early-'70s studio records, which find Stevens at his most consistently touching. --Marc Greilsamer


Teaser & The Firecat

Remasters; Tracks: The Wind 1:42 / Rubylove 2:37 / If I Laugh 3:20 / Changes IV 3:32 / How Can I Tell You 4:27 / Tuesday's Dead 3:36 / Morning Has Broken 3:20 / Bitterblue 3:12 / Moonshadow 2:52 / Peace Train 4:11


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