Wireless Microphone
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Wireless Microphone Items of Interest
NEW JVC HAS150PX FLATS LIGHTWEIGHT HEADBAND HEADPHONES PINK 200MW MAX COLOR-MATCHED CORD IPOD NANO
Max input: 200mW. Pink.
New Plantronics Digital Signal Processing Stereo Headset DSP Improves Noise-Canceling MicrophoneSoft foam ear pads and lightweight materials enable all-day wearing comfort. USB connection requires no software and no configuration for true plug-and-play ease. Easy-to-use inline controls for volume and microphone mute.
New Panasonic Headband Headse Hands Free Standard 2.5mm Connection Adjustable Microphone HeadphoneHands-free usage. Reversible. 4-Ft cordKX-TCA60.
Ohm: The Early Gurus of Electronic Music, 1948-1980Opening with Clara Rockmore's reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno's ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producers' and contributing writers' point that early electronic music is much of the foundation of contemporary music. Herein lies the connective tissue bridging musique concrète, 20th-century classical, electronic experimentation, and the theoretical avant-garde to psychedelia, ambient, dub, techno, electro, and synthpop and the globalization of sound. The groundbreaking uses of loops, sampling, drones, remixes, and cut-and-paste technology are put fully into context. The diversity of music included makes any sort of summation impossible, but that is also the point: electronic music is not really a genre, but an open field of endless possibility. From John Cage's famous "William's Mix" of tape snippets to Karkheinz Stockhausen's electronic orchestral compositions, from David Tudor and Holger Czukay's experiments in unrelated blendings of audio elements to David Behrman's supremely peaceful duet between computers and musicians, the aural renegades on OHM tread where none (save a few of their contemporaries) had gone before. The liner notes convey the incredible amount of hard work and experimentation it took to stitch together many of these pieces in the predigital era. Putting aside the inevitable quibbles about what's missing (much of it due to legal and/or logistical issues), a more complete collection of musical eggheads, eccentrics, and visionaries is hard to imagine. --Carl Hanni
Hisonic VHF Dual Wireless Microphone System, HS910Specifications: Receiver: Professional quality Aluminum alloy receiver; Carrier Frequency: VHF 230- 270MHz; Frequency variation:< 0.002%; Modulation Mode: FM; Audio Dynamic Range: Over 90 dB; Crystal controlled PLL; Audio Frequency Response: 50Hz 15KHz +- 3dB; Audio Output level: 0- 300mV; Audio Output: A/B and a mixed output, 1/4"; Volume controls on each channel in the front panel.(2 control knobs); S/N ratio: Over 70 dB; T.H.D. Less than 0.5%; Sensitivity: 3uV for 30dB S/N; F/N ratio: over 80 dB; P/N ratio: over 80 dB; Output power: 10mW; Power : AC 110V 60Hz(AC adaptor); Size: 420(L) X240(W)X45(H)mm. Handheld Transmitter: Range: 300 Feet ABS plastic case with uni-direction microphone receiver; Transmitting carrier: VHF230 - 270 Mhz; Transmitter power: 2 X9V battery; Audio dynamic range: 100 Hz - 15 Khz; Antenna : Built in; Battery life: 8 continuous hours. Size: 52(D) X247(L) mm Weight: 227g(Without battery). Accessories include AC adpator, user manual and 9V batteries (for testing purpose only)
